Aesthetic and cultural study of the Indoculinire logo

Authors

DOI:

https://doi.org/10.38010/deskomvis.v6i1.97

Keywords:

Aesthetic, Iconology, Logo, Indoculinaire, Culture

Abstract

This study aims to examine the aesthetic and cultural values ​​of the Indoculinaire logo, which represents a brand identity that embodies Indonesian culinary heritage. The first focus of this study is design elements such as color, typography, illustration, and composition. Second, the logo's principles are simplicity, product description, effectiveness in black and white, and clarity when the logo is reduced in size. Third, the brand embodies cultural aesthetic values. The research method used was qualitative with a descriptive-interpretive approach. Data were obtained using observation, interviews, documentation, and literature studies. In practice, interviews and observations were conducted in a complementary manner. The results show that the Indoculinaire logo embodies cultural aesthetic values, with a spirit of preserving and sustaining Indonesian culinary diversity. The design elements and logo principles applied to the logo create a modern impression without eliminating cultural values. The conclusion of this study is that Indoculinaire is a brand capable of representing a modern and cultured identity. This study demonstrates that the application of cultural aesthetics in brand identity design, particularly logos, is crucial in strengthening brand values ​​based on local wisdom.

Downloads

Download data is not yet available.

References

Aurumajeda, T., & Damayanti, A. (2023). Estetika Nusantara pada logo Pesona Indonesia. KREATIF: Jurnal Karya Tulis, Rupa, Eksperimental dan Inovatif, 5(1), 1–5.

Fatoni, A. (2023). Representasi budaya Indonesia dalam logo G20 Indonesia 2023. Jurnal Riset Rumpun Seni, Desain dan Media, 2(2), 256–267.

Hill, C. E., & Knox, S. (2021). Essentials of consensual qualitative research. American Psychological Association.

Kartika, D. S. (2017). Seni rupa modern (Edisi revisi). Rekayasa Sains.

Panofsky, E. (1939). Studies in iconology: Humanistic themes in the art of the Renaissance. Oxford University Press.

Ratna, N. K. (2010). Metodologi penelitian kajian budaya dan ilmu sosial humaniora pada umumnya. Pustaka Pelajar.

Rustan, S. (2019). Warna. Batara Imaji.

Rustan, S. (2020). LAYOUT2020: Mengenal layout cetak, UI/UX, website & apps, buku 1. Surianto Rustan Publishing.

Salsabila, R. (2025, 29 April). Pelestarian budaya lokal semakin digaungkan di era modern. Winnicode. https://winnicode.com/explore/berita/Budaya/pelestarian-budaya-lokal-semakin-digaungkan-di-era-modern

Shafira, N. (2025, 14 Juni). Pengaruh waralaba makanan cepat saji global pada kebiasaan makan lokal. Media Mahasiswa Indonesia. https://mahasiswaindonesia.id/pengaruh-waralaba-makanan-cepat-saji-global-pada-kebiasaan-makan-lokal/

Super Indo. (2016, 22 Agustus). Siaran pers: Peluncuran Super Indo – Indoculinaire [PDF]. PT Lion Super Indo. https://www.superindo.co.id/korporasikeberlanjutan/file/Siaran_Pers_Launching_Super_Indo_-_Indoculinaire_-_22_Agustus_2016.pdf

Supriyono, R. (2010). Desain komunikasi visual: Teori dan aplikasi. CV Andi Offset.

Downloads

Published

30-06-2025

How to Cite

Ramayanti, D. (2025). Aesthetic and cultural study of the Indoculinire logo. Deskomvis: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa Dan Media, 6(1), 66-72. https://doi.org/10.38010/deskomvis.v6i1.97